Gas-station animatic (animatic-workflow) + AI-generated render shown by Ciprian (alberto-ciprian): started from an unreal (unreal-render-pipeline) scene; test version with placeholder content (moon landing on the television); Santa Monica blockout also presented with AI-generated buildings
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2
Feedback
Push realism, add environmental effects, refine AI artefacts; after-effects used for transitions + old-movie effects
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3
Consistency
All environments to be brought to a consistent level for camera composition + silhouette; all shots in kitsu + emotional beats agreed before Gabriela’s vacation
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4
Cut target
First cut with music by 15 August (vacation milestone); iterate animation + visual quality in the second half of August
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5
Music needs
John needs a mood timeline + scene timings to start music editing; music will guide the edit
Workflow: ingest footage from Google Drive, generate a rough cut, export to resolve; separate resolve Cloud project for AI edits to avoid risk to the main project; compare Eddie output with human edits (Paola (paola-sunna)/Roberto (roberto-iacoviello))
Action 3
7
AI Card
Production AI Card framework presented by Kathryn Webb: documents AI use across production stages, distinguishes visible vs invisible AI; encourages good practice but is not a substitute for legal sign-off; team to answer framework questions